Thornton’s mother died when she was 14, and she left home to pursue a career as an entertainer. At the very young age of 15, Thornton caught the eye of Atlanta music promoter Sammy Green and he offered her a spot in his Georgia-based show, The Hot Harlem Revue. Thornton stayed with the Hot Harlem Review for seven years, traveling throughout the south. Early in her career Thornton was influenced by the singing styles of Bessie Smith, Ma Rainey, Junior Parker, and Memphis Minnie. She was billed as the new “Bessie Smith,” but everyone soon realized she was uniquely “Big Mama” Thornton.

Thornton moved to Houston in 1948, where her music career flourished. In 1951, Thornton signed with Don Robey’s Peacock Records. Robey, a highly successful black entrepreneur, signed her to a five-year contract. Peacock Records, later called Duke-Peacock, was a rhythm and blues and gospel label. It became an important influence on soul and rock music and featured artists such as Marie Adams, Johnny Ace, and Little Richard.

Throughout the early 1950s Thornton regularly performed at Robey’s Houston club, The Bronze Peacock, and on the “Chitlin’ Circuit” with bandleader Johnny Otis. The “Chitlin’ Circuit” was a string of clubs and venues that covered the southern and eastern United States and were considered safe for African American musicians to perform. They ranged from the Cotton Club in New York’s Harlem neighborhood to local juke joints in Mississippi.

In 1952, during a recording session in Los Angeles, Jerry Leiber and Mike Stoller offered Thornton a 12-bar blues vocal called “Hound Dog.” When it was released in 1953, it skyrocketed to the top the R&B charts and stayed there for seven weeks. Despite its sale of two million copies, Thornton received only $500. In contrast, Elvis Presley’s 1956 version brought him both fame and considerable financial reward.

In the 1960s, Thornton started recording again and made several albums for the Arhoolie label, including collaborative albums such as Big Mama Thornton In Europe (1966), backed by Buddy Guy, Walter Horton, and Freddy Below; Big Mama Thornton with the Chicago Blues Band (1966), with Muddy Waters, Sam “Lightnin'” Hopkins, and Otis Spann; and Ball & Chain (1968), a compilation of original work by Thornton, Hopkins, and Larry Williams. In September 1968, Thornton appeared at the Sky River Rock Festival with a lineup that included the Grateful Dead, James Cotton, and Santana.

Thornton’s popularity continued to grow throughout the 1970s, however, years of heavy drinking began to affect Thornton’s health. At the 1979 San Francisco Blues Festival, despite being seriously ill and needing assistance to take the stage, she gave a stunning performance. After surviving an auto accident in the early 1980s, Thornton performed at the 1983 Newport Jazz Festival with Muddy Waters, B. B. King, and Eddie “Cleanhead” Vinson, resulting in a live recording, The Blues—A Real Summit Meeting.

Willie Mae Thornton died of a heart attack in Los Angeles on July 25, 1984, at the age of 57. That same year, she was inducted into the Blues Foundation Hall of Fame. She was inducted into the Alabama Music Hall of Fame in 2020.

Resources

Willie Mae Thornton (APT Legacy Moment)
https://www.alabamalegacy.org/willie-mae-thornton/
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Additional Sources
http://encyclopediaofalabama.org/article/h-1573

https://www.blackpast.org/african-american-history/thornton-willie-mae-big-mama-1926-1984/

https://alabamanewscenter.com/2021/03/31/alabama-native-big-mama-thornton-made-hound-dog-a-hit-before-elvis/

https://www.nytimes.com/1984/07/28/obituaries/willie-mae-thornton-influential-blues-singer.html